Photography In my career I was born as a video and film editor, I am used to seeing thousands of images, cutting them, fragmenting them,
Photography When I began to photograph consciously, I also began to reflect on what photography was for me and what motivations led me to transform
My photographic research has its roots in the study of architecture and in the history of landscape photography. From an exclusively analog use of the camera, with a slow and meditative pace, to tell the details of the city in line with the masters who trained me, my interest has been directed towards the archive and vernacular photography. Gradually in my projects a reflection that had photography itself as its subject, devoid of any narrative and figurative intention, became more and more evident.
Photography I came to photography due to a series of fortuitous circumstances. My first encounter with art was with Surrealism and then with Futurism. In
Photography My relationship with photography is tied to a question that I still don’t want to answer: do I have to produce other images? Over
Photography Photography is an unstable process generated by the encounter between a technological device and our ability to think about images. Its borders are very
Photography I am more interested in the questioning of language, even though I often willingly and consciously use it. It is a contradiction I am
Photography Photography is simultaneously very mundane and complex. It has an inevitable relationship with the past, and one with the present. It is a fluid
Photography Not a work of photography, but a work on photography: this is how I would define my practice. The photographic image, as well as
Photography My entire work is based on contaminations, from suggestions to research, production and finally delivery. I am especially interested in the contamination between intuitions